Rush – Snakes & Arrows
Back in 1976, my best friend introduced me to a new live album he had recently purchased. All the World’s a Stage opened my eyes (and ears) to the world of Rush. As a result of this incredible album, I rushed out and purchased the band’s debut, followed by Fly by Night and Caress of Steel. I was hooked. Back in 1976, my best friend introduced me to a new live album he had recently purchased. All the World’s a Stage opened my eyes (and ears) to the world of Rush. As a result of this incredible album, I rushed out and purchased the band’s debut, followed by Fly by Night and Caress of Steel. I was hooked.
After leading the charge in progressive rock over the past 30 years, Geddy Lee, Alex Lifeson and Neil Peart prove that they are still at the top of their game. Peart’s lyrics are mystical, mesmerizing and meaningful as they tackle issues of faith, war, world events and the human condition. A central theme of handling ourselves with grace under pressure permeates throughout the songs. The pulsating “Far Cry” kicks off the album announcing, “Pariah dogs and wandering madmen / Barking at strangers and speaking in tongues.” And thus the drama begins. Lee’s high-pitch screams have toned down with age, but his vocals sound confident and comfortable around the sprawling arrangements. Lifeson’s guitar work is as amazing and complex as it was back on Fly by Night and 2112. And of course, Peart’s drumming is simply flawless. There’s plenty here to satisfy die-hard fans and newcomers alike.
Snakes & Arrows is arguably Rush’s best work since 1989’s Presto. With 18 studio albums under their belt, the band’s musical journey continues to forge full-speed ahead. Then again, what did you expect from a band called Rush?