The Hollywood Vampires return and welcome a new cast of characters from Cooper’s nightmarish mind on the supergroup’s second release.
Peter Frampton has got the blues real bad.
Always favoring the gritty dreams-verses-reality mentality conveyed by Bruce Springsteen on “Born to Run” and “Darkness on the Edge of Town,” I’ll openly admit that it took me a few listens to embrace the American West tone embedded in Springsteen’s detailed storytelling on his latest release.
It’s been 40 years since Gloria Gaynor’s inspiring anthem “I Will Survive” was unveiled to New York radio stations and dance clubs.
The same cat class and cat style featured on earlier releases by the Stray Cats can be witnessed on the trio’s first album of original material since 1992.
Whitesnake shows no signs of easing up the pressure on the gas pedal with a new offering that proves to be one of the band’s best.
The Ramones will always hold a special place in my heart.
For his latest studio release, Rick Springfield revisits 11 of his better-known tracks and one new arrangement by including a lush orchestral backing.
I love it when local acts find success regionally and then go on to discover wider fame as they pursue their hopes and dreams.
Bananarama is back. The all-girl group, now down to original members Sara Dallin and Keren Woodward, revisits the glory days of the 1980s.
Looking to add a little spice to your daily routine? The new release from Emma Bunton should do the trick nicely.
The name might not be familiar, but the voice is unmistakable.
It’s been a long time coming.
“No Saint” heralds the arrival of singer-songwriter Lauren Jenkins.
For his 14th studio album, Bryan Adams stays true to the uncomplicated messages that have served the Canadian rocker so well over his fruitful career.
With 2014’s “Simplicity,” Tesla’s last album was a solid offering of no-nonsense rock anthems with a few slower numbers added in for good measure.
On “Tales of America,” J.S. Ondara delivers a debut release that captures his emotions and experiences while in pursuit of a musical dream in an exciting and complex land.
It is rare when a new release catches me totally off guard with such an engaging emotional appeal and captivating nostalgic nuances.
As the lead singer of the Los Angeles band Tsar, Jeff Whalen delivered infectious slices of glam rock sprinkled with sugary-sweet pop innocence.
As the new year rolls along, I’ve made a conscious effort to seek out more music to review that is unfamiliar to my traditional listening circle.
It’s good to hear that former Genesis guitarist Steve Hackett is still in the business of adding to his extensive body of musical work.
Rival Sons journey back to their roots to discover an undomesticated tone for their sixth full-length album.
Hard to believe that it’s fast approaching 40 years since Joe Jackson released his debut album.
For his first new album since 2016’s “Fired Up,” Randy Houser delivers an engaging set of entertaining storytelling that’s authentic country through and through.
Inspired by his hometown, Brett Young’s latest album seamlessly blends a laid-back SoCal vibe with the down-home charm of Nashville on “Ticket to L.A.”
